Godmothers of 'The Namesake'

An interesting article from Harvard Magazine via 3quarksdaily. Excerpt:
"Mira Nair ’79 met Sooni Taraporevala ’79 in the Lowell House dining room in the fall of 1976. The two women, both of Indian descent, became friends and, nine years later, began working together on the 1988 film Salaam Bombay!—Nair as director, Taraporevala as screenwriter. Later they collaborated on Mississippi Masala (1991) and My Own Country (1998). But none of their movies so directly mirrors their own life experiences as this year’s The Namesake, based on Pulitzer Prize-winning author Jhumpa Lahiri’s first novel. Having read the book en route, Nair arrived in Taraporevala’s hometown of Mumbai (formerly Bombay) in March 2004 and bluntly told the screenwriter, “Sooni, we were born to make this film.” "
For me, even the book paled off compared to Pankaj Mishra's review and the passage from the review I keep going back to:
"This is the melancholy awareness that suffuses Lahiri's catalogs of desirable things and people. And so while such obvious underdogs as Nazneen and Chanu arouse pity and indignation, an overprivileged immigrant like Ni-khil leaves one with more disturbing feelings: an intimation, such as the one his father once had, of "all that was irrational, all that was inevitable about the world"; a suspicion that "all men are mild lunatics engaged in pursuits that seem to them very important while an absurdly logical force keeps them at their futile jobs." It is as if we have been given a glimpse not so much of an unjust social or political setup as of what Nabokov, writing about "The Overcoat," called "flaws in the texture of life itself." "