Two stories

Translation of Mahesh by Sarat Chandra Chatterjee
Toba Tek Singh
by Sadat Hasan Manto (via Particularities of Partition Literature I by Lapata)

P.S. From Particularities of Partition II by Lapata:
"Manto’s Siya Hashiye and Yashpal’s Jhutha Sac may in some ways capture the experience of pain or cope with the tragedy of the Partition, but it is also important to look at the imperatives of the individual narratives and those of their authorial and literary contexts. Much of the current movement toward scholarship on the Partition and writing about Partition literature is driven by the very real urgency of the political and social climate of communalism today in South Asia. Many authors write of the shocking repetition of patterns of violence which have spurred on their work: Godra, the Babri Masjid, the 1974 anti-Sikh violence, all of these inform our understanding of the legacy of Partition today. But as we seek to inform, remember and educate about the Partition, we should also try not to lose the specificity of individual voices. Partition literature does not bear witness to the events of 1947 in the same way as eyewitness accounts, journalism and oral histories. While “Toba Tek Singh” and other works of fiction may be an excellent way to open up discussion in the classroom, they are not shortcuts to grasping the trauma of displacement and violence during the Partition.

Major historical events lend themselves to fictional narratives precisely because massive population displacements caused by war or other disasters open up spaces in which to experiment with rearranging social hierarchies and imagining unexpected combinations of characters. Such events also bring out the extremes of human behavior, both the valorous and the base. The American Civil War, the Holocaust and the French Revolution, just to name a few, have all inspired a rich and various literature as well. This is not to impugn the motivations or the importance of the growing body of literature set during the Partition, or to imply that the works of Yashpal, for example, should be seen in the same category as some potboiler Civil War romance. But fiction does not fill the gaps in the historical record, good historiography does."